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One of the joys of spending time in a record store is not knowing what to choose. For those who go in “just to have a browse,” the risk is to spend hours flipping through countless records.
The Seven Wonders of the Ancient World are legendary sculptural and architectural splendors as well as historic testaments to human ingenuity and accomplishment. First century BCE Greek historian Diodorus Siculus wrote the first known list of wonders, starting the trend of creating lists of must-see places for Hellenistic tourists.
The popular imagination often dismisses Byzantium’s aesthetic as a static, even regressive contrast to classical technique. Sumptuous and flattened, Byzantine methods abhorred naturalism, and designed art as they did their empire (330 to 1453 CE): as an earthly mirror of Christian heaven. However, this stylization endowed art from the Eastern Roman empire—particularly mosaics—with a politicizing contemporaneousness.
The monumental cemetery of Milan (Cimitero Monumentale) is among the famous and iconic monuments of Milan, such as the Duomo with its spectacular spires reaching up into the sky, or the imposing Castello Sforzesco with its majestic towers.
Since antiquity, fine jewels have been worn by royalty, to symbolize their power, opulence, and dignity as rulers of nations and empires.
The Met Gala, the annual fundraising even for the Met Museum’s Costume Institute, was this past Monday. It is known for its extravagant and innovative fashion, and this year’s Gala did not disappoint.
Historical sites aren’t always what they seem. Many famous, seemingly well-preserved historic monuments, such as those on the Acropolis at Athens, are the product of anastylosis – the practice of restoring old buildings using the original material.
The 2021 Netflix documentary by Joshua Rofé examines Ross’ life and career, piecing together old photos, TV footage, and interviews with friends, family, and coworkers to give a sense of the man, his art, and his contested legacy.
Iconic American sculptor Alexander Calder (1898―1976) invented “mobiles”―carefully balanced, often whimsical kinetic hanging sculptures, powered by wind or motors.
The first director of the Museum of Modern Art, Alfred H. Barr Jr, said that a museum was a vehicle in motion: forward-moving, adaptive, and contemporary.
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