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In this episode of A Little Curious from the ArtCurious Podcast, host Jennifer Dasal explores Leonardo da Vinci's lost masterpiece "The Battle of Anghiari."
Davis discusses what it took to write her first art-historical fiction novel and the fascinating inspiration for the story.
Today, like so many other historical works, Albrecht Dürer's "Self-Portrait" from 1500 is taken for granted as a masterpiece. That, however, was not always the case. This podcast episode explores the story behind Dürer's iconic "Self-Portrait."
Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made.
This weekend in Houston, the Menil Collection opened the doors to the newest building on its 30-acre campus. The Menil Drawing Institute’s 30,000-square-foot, $40 million building houses the Menil’s comprehensive drawing collection and represents the first freestanding building in the United States built expressly for the exhibit, study, storage, and conservation of modern and contemporary drawings.
Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made...
Beginning this month, Raleigh’s North Carolina Museum of Art (NCMA) has a new director in Dr. Valerie Hillings. After a worldwide search for Director Dr. Larry Wheeler’s replacement, who was with the museum for 24 years, the museum has found a leader with local roots and global connections.
French-Tunisian artist eL Seed released his first book project, Perception, earlier this month. The book, in limited edition of 500, is both an accompaniment to and documentation of the artist’s extraordinary mural by the same name, which stretches across fifty buildings in Cairo. Displaying the words of Saint Athanasius of Alexandria, a Coptic Bishop from the Third Century: ‘Anyone who wants to see the sunlight clearly needs to wipe his eyes first,’ the project employs the artist’s signature style, “calligraffiti,” which incorporates the visual culture of traditional Arab calligraphy into contemporary, often politically charged, street art.
This weekend the Museum of Jewish Heritage in Manhattan is offering free admission for visitors, giving them a chance to see a rare work on loan. Pierre-Auguste Renoir’s 1919 Two Women in the Garden (Deux femmes dans un jardin) is making a pit stop at the museum on it’s way to a new home.
In a new text from Cambridge Press, authors Elina Gertsman and Barbara H. Rosenwein offer readers easy access to understanding a complex period of time. "The Middle Ages in 50 Objects" (Cambridge Press, 2018) uses individual works from the comprehensive collections of the Cleveland Museum of Art to exemplify both broad movements and specific moments in history.
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