MoMA development officer Jamie Bergos is brave enough to get up close with Maria Martins’s 1946 sculpture "The Impossible, III," and wonders if its ambiguity—Are the figures fighting? Merging?—is…
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MoMA development officer Jamie Bergos is brave enough to get up close with Maria Martins’s 1946 sculpture "The Impossible, III," and wonders if its ambiguity—Are the figures fighting? Merging?—is…
