The National Gallery's Britta New and Nelly von Aderkas discuss the cleaning of a Renaissance altarpiece that was hidden in an Italian wood store for many years.
Renaissance
Jesus of Nazareth is undoubtedly one of the most famous men who ever lived, and his likeness has been transcribed on paintings, sculptures, and every other artistic medium one can possibly think of.
Join Met curators to explore works from the exhibition Selections from the Department of Drawings and Prints: Materials and Techniques. Learn about the broad range of approaches European and…
Emma Capron, Associate Curator of Renaissance Paintings, discusses 'Christ Mocked' in 10 minutes.
Bartolo—known better as Morgante—was the sharp and quick-witted “buffoon” of Cosimo I’s court (1537 to 1569). In 1555, Cosimo I granted Morgante a ducal privilege in which he is defined as “our most…
There is no doubt that the golden ratio runs rampant through the art of the sixteenth century and on. The most evident manifestation of the ratio lies in the composition of paintings and cutting of…
In the second installment in our series on jewelry’s place in art history, we’re exploring jewelry collecting in the Renaissance, a time when jewels were considered as valuable to possess and display…
Pieter Brueghel the Younger’s ‘The Payment of Tithes’ is a satirical caricature of the legal profession. In this episode of Anatomy of an Artwork, discover what it tells us about Brueghel’s…
