New York, NY

Independent 20th Century, 2022

The Independent 20th Century inaugural edition offers a couple of floors as well as a first-class restaurant—Harry Cipriani. It is located at The Battery Maritime Building at 10 South Street, New…

Installation view of New York: 1962-1964 at the Jewish Museum, NY. July 22, 2022-January 8, 2023.
“New York: 1962-1964” Captures More than a Time and Place
“New York: 1962-1964” is a celebration of the institution hosting it. The Jewish Museum has been a venerable fixture in New York’s cultural firmament for what seems like forever, but six decades ago…
Thomas Chippendale, The Gentleman and Cabinet-maker's Director: Being a Large Collection of . . . Designs of Household Furniture in the Gothic, Chinese and Modern Taste . . ., 1754. Printed book, engraved plates. 17 3/4 x 12 1/4 x 2 inches (45 x 31 x 5 cm).
Drawing Center's “The Clamor of Ornament” Uncovers our Shared Humanity
The curators set a welcome stage for the visitor to the Center. Greeting them at the entrance is Martin Sharp’s Blowing in the Mind/Mister Tambourine Man (1968). Sharp is known as the mastermind…
detail of painting that features a black man in white clothes and in front of white background. His glasses reflect gothic church windows.
Exhibition on Hugely Influential Artist Barkley L. Hendricks
Along with the exhibition, Hendricks’s art and its impact will be further explored through a richly illustrated exhibition catalogue with contributions by artists and creative figures including…
Malick Sidibe (1935-2016), Un yéyé en position. Estimated at $4,000 - 6,000. Courtesy Bonhams.
Bonhams Auction to Highlight Art from Africa & the Diaspora
On July 27 in New York, Bonhams auction of Modern & Contemporary Art & Photography from Africa and the Diaspora will feature a large selection of exceptional photography including a striking…
Louise Bourgeois, Untitled, 1946-1947. Oil on canvas. 26 x 44 in. (66 x 111.8 cm). Tate Modern, London.
Louise Bourgeois' Early Paintings at The Met
Linda Nochlin caused a stir when she published, "Why Have There Been No Great Women Artists?" in 1971. Turning the conventional wisdom of the title on its head, she clarifies that there have always…
Nicole Eisenman, Maker's Muck, 2022. Coney Island Boardwalk (Brazilian Ipe), plaster, bronze, silicone, unfired clay, fired clay, expanding foam, burlap, wire, raw wool, sneakers, magic smooth, magic sculpt, resin, bamboo skewers, tin foil, plaster bandages, plywood, bass wood, Aqua-Resin, fiberglass, seashell, styrofoam, oil paint, wax, carpet fringe, cardboard, cement, steel pipe, steel rod, aluminum paint tubes, vinyl stickers, granite, telescopic extension pole, sand, fabric, crocheted rug, marbles, min
Eisenman’s Paintings Back in NYC Art Scene at Hauser & Wirth
Spread over two capacious floors, the exhibit is Eisenman’s first presentation of new paintings in New York City after a seven-year hiatus in which their sculpture, fresh examples of which are also…
Henri Matisse, The Red Studio, 1911. Oil on canvas. 71 1/4 x 7′ 2 1/4 in. (181 x 219.1 cm). The Museum of Modern Art, New York.
MoMA’s “Matisse: The Red Studio” Unveils Artist-Patron Conflict
An interior view of Matisse’s atelier in the Parisian suburb of Issy-les-Moulineaux, "The Red Studio" (1911) serves as the centerpiece for an impressive feat of scholarship that gathers photographs,…