An overnight sensation more than 100 years in the making, af Klint stunned viewers with monumental, brightly colored abstractions created years before Vasily Kandinsky and Piet Mondrian pivoted away…
Howard Halle
Like politics, all art is local until it isn’t anymore, a point driven home by Surrealism Beyond Borders, the Met’s tour d’horizon of the global, half-century-long spread of Surrealism from its…
Halfway through the sixth decade of his career, Jasper Johns’s output has been prodigious enough to demand a retrospective hosted by not one, but two institutions: The Whitney and The Philadelphia…
An exercise in world-building that’s as dense as Life After B.O.B. can only be retold in the broadest of stokes, so your mileage sitting through it may vary depending on your attention span. Still,…
It’s too soon to say, and this preview doesn’t presume to provide an answer. But it does offer a look at the art events to be excited for in the coming months.
As years go, 2020 was indubitably a very bad one. Naturally, this raises the question of whether these events will impact art. The Brooklyn Museum attempts an answer with The Slipstream.
One of three concurrent outings by the artist, and one of two exhibitions at Zwirner venues uptown and down, Chimes is ensconced in the gallery’s W 20th Street space, which has been painted a…
