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Although revered by his contemporaries, Jackson Pollock and Willem de Kooning, the fiercely independent Hyman Bloom was relegated to the sidelines due in part to his mystical nature and reticence to engage in an increasingly celebrity-driven art scene.
In her genre-bending sculptures, Natalie Ball is playing with what we think we know. Subverting tropes about Native American identity and art by repurposing familiar materials, Ball points out the absurdity of our assumptions.
Harmony, a new outdoor installation by American artist Mineo Mizuno (born 1944) is currently on view at the Los Angeles County Museum of Art (LACMA). Mizuno has spent the last few years living on Fort Mountain Ranch in the foothills of the Sierra Nevada Mountains, and his work has been informed by that ancient forest.
A collaboration between the photographer Nigel Poor and current inmates at San Quentin State Prison is giving us a rare change of perspective on how we understand the lives and stories found behind bars.
In a city with its own contentious history of racism (like many others), two artists are grappling with the past and how it continues to shape the present.
The treasure is believed to have belonged to a family caught up in 14th-century violence that destroyed the thriving Jewish community of Colmar in Alsace. That anything at all survives is a miracle. 
Currently on view at the Art Institute of Chicago, Weaving Beyond the Bauhaus celebrates the centennial of Bauhaus by highlighting 50 works by pioneering fiber and textile artists such as Anni Albers, Claire Zeisler, Lenore Tawney, Otti Berger, Gunta Stölzl, Else Regensteiner, Ethel Stein, and Sheila Hicks.
The Iranian Revolution ushered in an era of social change that many Iranians, especially women, are still grappling with. When the Iranian people took to the streets to overthrow their monarch in 1979 in favor of a new anti-Western government, many women were among the protesters. A new exhibition at the Freer|Sackler Gallery gives insight into the effects these cultural changes have had on life in Iran, and on women’s in particular.
Last month, the art world mourned the loss of Marisa Merz, the only female artist associated with the Arte Povera movement. Merz, who died in her native Turin at 93, was known for her unconventional use of materials and processes.
Alphonse Mucha (1860–1939), the Czech painter, illustrator, and graphic artist, may have done more than anyone to bring Art Nouveau into popular culture through his posters of French stage actress Sarah Bernhardt. His work and more are on display at the Poster House, a new museum that opened in Manhattan, New York, earlier this year.
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