Savannah College of Art and Design (SCAD) is pleased to present the fall installment of the university’s much anticipated Open Studio event, returning November 5-7 for a virtual showcase and in-person viewing experience. This limited-run event has become a go-to destination for art enthusiasts, collectors, and interior decorators to discover “what’s next” in art and design.
Art News
The Artist’s Algorithm is a new series of exhibitions, essays, talks, games, performances, mentorship programs, murals, and videos which aims to shed light on problems in education, politics, and governance through art. This new initiative builds on the core tenets of Fadugba’s award winning debut work, The People’s Algorithm.
Jane Lombard Gallery is pleased to present Drawn Together, a group exhibition of works on paper. With artworks by Jane Bustin, Squeak Carnwath, Sarah Dwyer, Richard Ibghy & Marilou Lemmens, Teppei Kaneuji, T.J. Dedeaux-Norris, Lucy & Jorge Orta, Enrico Isamu Oyama, Dan Perjovschi, Lucas Reiner, Stefan Saffer, Elizabeth Schwaiger, Howard Smith, and Courtney Tramposh.
Gagosian is pleased to present an exhibition of sculptures by John Chamberlain (1927–2011). Curated by art historian Susan Davidson, organizer of the artist’s 2012 retrospective at the Guggenheim, the exhibition takes its title from a conversation between Chamberlain and poet Robert Creeley, and gathers work made over a sixty-year period.
Members of The ADAA, the nation’s foremost nonprofit organization of leading art dealers, return together this fall for The Art Show to showcase their dynamic programs—featuring more than 40 solo presentations, as well as an array of dual, thematic, and group exhibitions. This year’s fair sees the launch of an accompanying online hub or collectors and the public to engage with The Art Show.
National tour of Companion Species—an insightful and timely exhibition that places works of art from Native and non-Native artists in conversation with each other—kicks off at the Chazen. Its centerpiece is Marie Watt’s vibrant textile "Companion Species (Speech Bubble)" of 2019, in which community members stitched meaningful words.
Created between 2020 and 2021, Katz’s White Coat paintings are based on the likeness of Vivien Bittencourt, a photographer and filmmaker, and the artist’s daughter-in-law. Across these eleven portraits, Katz paints Vivien in a variety of dynamic compositions unified by a brilliant light blue ground color.
The Honolulu Museum of Art (HoMA) recently acquired a major work by legendary contemporary artist Nick Cave. “Soundsuit 8:46” (2021), a mixed-media mannequin of vintage floral textiles and sequined appliques, is a response to recent police violence against people of color.
In this new body of work, Fallon—known for his striking images of ambiguous figures that both draw on and challenge existing traditions of portraiture—explores how the practice of collecting shapes the fashioning of domestic space. From the most lavish to the most impoverished of circumstances, the spaces of human habitation take form through the amassing of objects.
For more than a decade, Allison Katz has been exploring painting’s relationship to questions of identity and expression, selfhood and voice. The work for "Artery" was developed over the last two years, in parallel with the disruption of the Covid-19 pandemic. The new paintings, posters, and exhibition design are infused with questions of communication and connection, distancing, and intimacy.
