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Tyson presents nine new paintings alongside three groups of graphite drawings. Reflecting the close dynamic between painting and drawing that has activated her practice from the beginning, Holding Pattern builds on the artist’s acclaimed survey at the Drawing Room in 2017, pushing her use of figuration and portraiture into experimental territory.
This November, Sotheby’s will present Frida Kahlo’s 1949 self-portrait, Diego y yo (Diego and I), the final, fully realized ‘bust’ self-portrait completed before her death in 1954. This historic work carries an estimate in excess of $30 million.
Presented in a solo exhibition, the focus of Rashid’s residency has been producing the latest installment of his massive fictional universe 18 years in the making: “an alternative, feudal version of America that has nobility and titles.” Within this world, Rashid whimsically imagines the cultural intricacies of Colonial Era class dynamics through cross-generational iconography, maps, cosmological diagrams, Afrofuturistic sensibilities, and pop culture references from his upbringing, such as the Golden Age of hip hop.
The SCAD Museum of Art proudly presents its latest exhibition, Ring Redux: The Susan Grant Lewin Collection, featuring more than 100 avant-garde rings by artists who have reinvented the age-old and enduring jewelry form with a distinctively contemporary sensibility.
Five of Getty’s most popular online exhibits on Google Arts & Culture are now available in Spanish and English, making the Los Angeles museum’s expansive art collection more accessible than ever. The new translations underscore Getty’s goal of making its online and gallery text available in languages other than English.
Paper Cuts is a group show, guest curated by Alexander Deschamps, that brings together artists from multiple backgrounds and disciplines. This group of artists are glued together by a common interest: paper.
The Museum of Wild and Newfangled Art (mowna) will open their final show of the year "This Show is Curated by a Machine 🤖" on September 23, 2021. The Artificial Intelligence curated exhibition opens with a talk on the development of the AI model followed by a Q&A with the AI Team: IV (Ivan Pravdin) and museum co-founders cari ann shim sham* and Joey Zaza.
Czech Center New York presents Peter Sís—The Wall, a documentary exhibition by the internationally acclaimed illustrator, author, and filmmaker. Curated by Joachim Dvořák and Michaela Šilpochová, the exhibition is based on Sís’s award-winning autobiographical picture book “The Wall: Growing Up Behind the Iron Curtain.”
Robert Rauschenberg: Channel Surfing traces the artist’s creation of a visual language that addresses fundamental transformations in media culture in the late 20th-century, a period marked by the apotheosis of television and the emergence of the internet.
This major exhibition features the cosmopolitan, exuberant and subtly subversive work of fifteen artists of Asian heritage who are adept at crossing borders—not only physical ones but also those in media, styles, genre, and materials. Global Asias is the first large-scale exhibition to highlight the impressive scope and diversity of the Jordan Schnitzer Foundation’s collection of contemporary Asian and Asian American art.
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