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Longing for social interaction during this time of isolation and lockdown, we looked to Los Angeles—the City of Angels—to find solo shows exhibiting artists who deal with communal concerns from a variety of individual angles.
Artists have been working with found objects since the beginnings of modernism, but the meaning implied by the objects that they use and the way that they employ them is always changing. Change, in fact, is one of the main reasons for working with reclaimed materials. Art can change the world—at least from what it was to what it can become.
A visual journey into the creative minds of some of the Arab world's most prominent artists and their approaches to non-representational art.
The first major survey of Whitten’s works on paper, this landmark exhibition explores the evolution of the artist's drawing process through seventy-six works on paper from the 1960s to the late 2010s.
Hoshine offers glimpses into his fragmented reality through slightly surrealist forms, gestures, and references to everyday life.
Guggenheim Award-winning artist JoAnne Carson’s fantastical imaginings teeter somewhere between the perils of temptation envisioned in the otherworldly painted gardens of Hieronymus Bosch and the lush but benign beauty of Monet’s Giverny.
A La Vieille Russie picks some stunners for its first-ever selling exhibition of mid-century jewelry.
For the past thirty years, master printmaker Sarah Amos has bounced back and forth between Australia and Vermont, an unlikely melding of vastly different environments.
Vasilis Zografos' pale, warm, clay-colored objects from some ill-defined cultural past seem to be suspended on softly muted blue-grey-green backgrounds, reinforcing the idea that these objects are untethered from their original use and meaning.
While he’s best known as two-time Oscar-nominated director for such lauded films as Good Will Hunting and Milk, Gus Van Sant began his creative life as an art student at Rhode Island School of Design before switching majors to film.
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