Iconic artist Robert Indiana is known for bold sculptures exploring language and numbers. Born Robert Clark, in New Castle, Indiana on September 13, 1928, Indiana showed early artistic talent, and developed his talent throughout his schooling, earning a BFA from the Art Institute of Chicago after serving in the Air Force. Indiana moved to New York in 1954 to pursue an art career, and joined the Coenties Slip art community. Indiana changed his name in 1958 to honor his home state. Indiana currently lives and works in Vinalhaven, Maine.
Art News
Magdalena Abakanowicz: Embodied Forms
Marlborough Gallery
40 West 57th Street, New York
February 7 – March 10, 2018
Louise Nevelson: Black and White
Pace Gallery
537 West 24th Street, New York
February 1 through March 3, 2018
Pace Gallery presents an exhibition of works by leading Abstract Expressionist Louise Nevelson. Arne Glimcher, Pace Gallery Founder, has worked with Nevelson and her estate for the last 55 years, and is honored to “present such incredible work to new audiences.”
Tom Judd: Disruption
Robischon Gallery
1740 Wazee St
Denver, Colorado
January 11 through March 3, 2018
Thomas Nozkowski: 16 x 20
Pace Gallery
510 West 25th Street, New York
January 19 – February 17, 2018
Opening this weekend at Pace Gallery in New York, 16x20 is a retrospective of abstract paintings by New York-based artist Thomas Nozkowski. Spanning forty years of paintings in this size, the exhibition shows the evolution of Nozkowski’s style and interests.
For all intensive purposes
Aspect/Ratio
864 N Ashland
Chicago, IL 60622
Friday, January 5 – Saturday, February 17, 2018
LATOYA RUBY FRAZIER
Gavin Brown's Enterprise
439 W. 127th Street
NY, NY 10027
January 14–February 25, 2018
The Deutsche Börse Photography Foundation Prize 2017 exhibit showcases the artists shortlisted for this prestigious prize–Sophie Calle, Awoiska van der Molen, Taiyo Onorato and Nico Krebs, who work as a pair–and this year’s winner, Dana Lixenberg.
Looking at Avedon’s mid-century portraits feels like his camera was at once a laser beam and a spotlight, seeing presciently through the haze of history.
This small, spare show of forged-steel sculptures and recent drawings is a concentrated lesson in Serra’s two main bodies of work.
