Among the most surprising aspects of Rembrandt’s prodigious output are twenty-three surviving drawings closely based on portraits made by artists working in Mughal India. These drawings mark a striking diversion for this quintessentially Dutch “Golden Age” artist, the only time he made a careful and extensive study of art from a dramatically different culture.
Art News
Suspended from the ceiling, Seven ponds and a few raindrops is composed of stainless steel elements that have been molded into a series of sensual, curved, amoeba-like forms covered in tamarind-stained muslin—a technique derived from a craft tradition Shettar observed in the small village of Kinnala, India.
In March, the Museum of Fine Arts, Houston, presents Michelangelo and the Vatican: Masterworks from the Museo e Real Bosco di Capodimonte, Naples, an exhibition highlighting the artistic legacy of Pope Paul III (1468–1549) and the vital role that drawing played in artistic production throughout Europe in the late 15th and 16th centuries.
Pace Gallery is pleased to present the first exhibition in the U.S. since 2001 dedicated to the work of pioneering modernist sculptor Barbara Hepworth.
A solitary 60-foot flagpole hoisting a large-scale white, cotton flag will soon be seen from the El Paso–Juárez horizon. Embroidered on either side of the flag is the illustration of a “Mexican” golden eagle and an “American” bald eagle, each emblematic of their respective nation’s patriotism.
Currently at Carl Hammer Gallery, Vivarium is Mary Lou Zelazny’s immersive exploration of surreal plantlife. Zelazny combines painting and collage in striking, dreamlike images of technicolor trees and zebra-striped bouquets. At first glance, what seems to be merely exuberant plein air studies and still-lives, are revealed upon closer examination to be surreal and mysterious reconfigurations. Zelazny reimagines flora, creating new and unusual botanical studies collaged from monoprints.
In Chris Schanck’s solo exhibition at Friedman Benda, furniture seems capable of taking on a life of its own. The show's title, ‘Unhomely’, warns us not to get too comfortable. The play on 'home' and 'homely' advises us to look beyond the beautiful exteriors of the objects that inhabit our homes. While Schanck’s sculptural furniture could be reassuring objects of convenience, its otherworldly forms suggest it might have its own plans once we turn our backs.
The Seattle Art Museum announces the West Coast’s first museum presentation of American artist Jean-Michel Basquiat’s famed work, Untitled (1982). The special one-painting exhibition, Basquiat—Untitled (March 21–August 13, 2018) offers a rare opportunity to see this painting, which has never been publicly exhibited since its unveiling in 1982.
The Baltimore Museum of Art (BMA) presents the first exhibition dedicated to the stunning textile work of Baltimore-based artist Stephen Towns. Stephen Towns: Rumination and a Reckoning, on view March 7 through September 2, 2018, features 10 luminous quilts constructed in fabric, glass beads, metallic threads, and translucent tulle that delve into the perspectives of women, people of color, and the institution of slavery in American history.
The outcome of what may be the most revolutionary Super Bowl bet ever made will be presented in the hometown of the victorious Philadelphia Eagles beginning March 7, when one of Boston’s most distinctive patriots makes a striking appearance in the American Galleries of the Philadelphia Museum of Art.
