One of the joys of spending time in a record store is not knowing what to choose. For those who go in “just to have a browse,” the risk is to spend hours flipping through countless records.
Art News
By ripping through his canvases, Lucio Fontana changed what a painting could be, and the course of art history. His groundbreaking slashed paintings, called Cuts (Tagli) embodied Spatialism, Fontana’s art movement that was meant to create a new kind of art synthesizing color, sound, space, and movement. Before his Spatialist manifestos and slashed paintings, Fontana was a sculptor, and the Met Breuer is exploring the Argentine-Italian artist’s early work in a new retrospective, Lucio Fontana: On the Threshold.
The Seven Wonders of the Ancient World are legendary sculptural and architectural splendors as well as historic testaments to human ingenuity and accomplishment. First century BCE Greek historian Diodorus Siculus wrote the first known list of wonders, starting the trend of creating lists of must-see places for Hellenistic tourists.
Fabric artist Bisa Butler, whose vibrant quilted appliqué portraits have been featured on the covers of Time, Essence, and
As the blooms of spring emerge, so does a fresh wave of artistic brilliance in the heart of New York City. This season, the cultural landscape is filled with groundbreaking exhibitions that not only captivate the senses but also honor the remarkable contributions of female artists.
The popular imagination often dismisses Byzantium’s aesthetic as a static, even regressive contrast to classical technique. Sumptuous and flattened, Byzantine methods abhorred naturalism, and designed art as they did their empire (330 to 1453 CE): as an earthly mirror of Christian heaven. However, this stylization endowed art from the Eastern Roman empire—particularly mosaics—with a politicizing contemporaneousness.
The monumental cemetery of Milan (Cimitero Monumentale) is among the famous and iconic monuments of Milan, such as the Duomo with its spectacular spires reaching up into the sky, or the imposing Castello Sforzesco with its majestic towers.
In the immortal words of The Doors frontman Jim Morrison: “People are strange.” It’s a song that George Condo happened to be listening to in his studio one day and it became the title of his latest show inaugurating Hauser & Wirth’s new West Hollywood location.
Since antiquity, fine jewels have been worn by royalty, to symbolize their power, opulence, and dignity as rulers of nations and empires.
What could be more charming and ridiculous than a show that situates itself at the intersection between opulence and buttocks? This inventive gathering pulls together unlikely paintings, sculptures, and even video to intermingle and invite visual and verbal puns.
