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Even though Dostoevsky’s drawings feel like a byproduct of his writing process and Plath’s more like an independent form of expression, both still seem linked to an abundance of creativity and the works generated feel like art. Can anyone who makes art truly be called a non-artist?
For its twentieth edition, Art Basel Miami Beach has nearly 300 galleries participating from all over the world, including twenty-six first-time participants.
Fundamental to the art of William Kentridge is charcoal, a simple prehistoric medium that has long anchored his multi-disciplined, intellectually epic body of work.
There are many concerns and issues that surround the use of genuine ancient coins in commercial retail. For one, there is the issue of availability and authenticity. Ancient coins tend to be found either as sporadic discoveries on archaeological sites or in large caches, called hoards. Hoards can contain thousands of coins at once and have produced no small percentage of the coins we have today.
The title of sculptor Mel Kendrick’s exhibition “Seeing Things in Things” at the Parrish Museum in Water Mill, New York is particularly apt. At 73 years old, Kendrick is famous for taking things apart, reassembling the fragments, and then reapplying them to create composite sculptures, letting his materials be his guide. He is what he does.
SCAD collaborates with renowned Mexican studio Cerámica Suro to debut vibrant collections of glazed tiles by SCAD alumni.
This list includes Indigenous artists, groups, and galleries from across the world. From the Australia-based Kate Owen Gallery which exclusively showcases Aboriginal Art in a traditional gallery setting to the Native American Kiowa/Choctaw visual artist and filmmaker Steven Paul Judd, this list features more than a wide range of account types.
At 77 years old and after much speculation, Larry Gagosian just announced a plan of succession for his gallery, which spans nineteen locations around the world.
Phillips’ always popular 20th Century Evening Auction made record-breaking sales on November 15th, with bids coming in from nearly thirty countries. Led by Cy Twombly’s Untitled, which sold for $41.6 million USD,  the auction realized $138.9 million USD total, the third highest sale total in Phillips’ history.
It’s a recent development in art history to include women in numbers that, if not entirely commensurate with their place in society, are certainly far greater than previously.
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