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The art world has its share of mysteries. From the impressive scale of prehistoric structures, to who exactly posed for enigmatic portraits.
Over the summer, excavators at Pompeii made an insightful and critical discovery that highlights the everyday lives of the non-elite of ancient Roman society, a portion of the population that is so rarely able to be studied. In the Region V site of the archeological park, excavators found a “middle-class” dwelling and its furnishings.
The Berkshires, a lush region of mountains, rolling green hills, and picturesque farmland in western Massachusetts, has long attracted artists looking to escape the summer heat and the frenetic year-round activity of nearby cities, New York, and Boston.
On October 12, 1492, Spanish ships waded into the Caribbean after a three-month-long journey. Led by Italian explorer Christopher Columbus (1451-1506), these Europeans “discovered” the new world, kicking off centuries of exploration, exploitation, and colonization of the Americas.
“Leda and the Swan,” a sonnet by W. B. Yeats, begins: “A sudden blow: the great wings beating still/Above the staggering girl, her thighs caressed/By the dark webs, her nape caught in his bill, /He holds her helpless breast upon his breast.” This moment of sexual violation inflicted on Leda by the god Zeus has inspired painters and sculptors for centuries. 
A recent discovery of hidden hieroglyphics in the ancient Egyptian tomb of King Tutankhamun could lead to the findings of Nefertiti’s body and burial chamber. 
Gustav Klimt (1862-1918) was born and died in Vienna, where he helped found the Vienna Secession, a contemporary art movement closely related to Art Nouveau. He received formal training at the Vienna School of Arts and Crafts.
Eight years in the making, this sprawling show of some 350 photographs, videos, and multimedia installations is filled with factual content and ambiguity.
SAVANNAH, GEORGIA — The Savannah College of Art and Design welcomes a new season of exhibitions at the renowned SCAD Museum of Art, uniting an international roster of emerging and established artists whose practices reflect vital conversations within contemporary art discourse.
Philip Guston was one of the most courageous and controversial painters to come out of the New York School of Abstract Expressionism. Critics called the 1950s Guston’s “mandarin” (influential) years. For years, he’d been creating paintings that were abstract and lush. Suddenly, he deviated, yearning to break free.
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