August 2021 Art News

For nearly 60 years, Houston collector and philanthropist Fayez S. Sarofim has quietly assembled one of the most significant collections of American art in private hands.
Wayne Thiebaud’s painting of a young tennis player sold for almost  $8.5 million on May 13, 2021, nearly five times the Christie’s estimate of $1.2–1.8 million.
In the special collection of brittle works on paper at the Boston Athenaeum lies Paul Revere’s 1770 hand-colored engraving, The Bloody Massacre.
This autumn, Howard Greenberg Gallery, one of the world’s leading galleries for classic and modern photography, celebrates its 40th year with a move to two new locations.
British Museum Curator Thorsten Opper tells us what clues to look out for when faced with a Roman portrait and explains how to envision the whole object from studying only a part. Put yourself in the shoes of a citizen of Roman Britannia, and explore how they might have viewed such a statue of the emperor, Nero.

On August 02, 2017 the very first piece of content went up on ArtandObject.com. It was a page simply titled “Picasso” with an embedded YouTube video about Christie’s upcoming sale of Picasso’s Femme assise, robe bleue.

 

Cara Manes, Associate Curator in MoMA's Department of Painting and Sculpture, discovers a haven from the chaos of the everyday amid the “silence” and imperfection of Vasudeo S. Gaitonde’s "Painting, 4."

“There has never before been a period of greater accessibility, and greater opportunity for the people of any given culture to learn directly from one another,” says Susanna Ferrell, Wynn Resorts Assistant Curator of Chinese art at LACMA.
Drawing a line from centuries of Confucian tradition to today’s selfie-culture, Likeness and Legacy in Korean Portraiture presents exquisite traditional draft and finished paintings alongside innovative sculptures, mixed media, and paintings from recent decades.

 

Khari Turner creates striking paintings that combine abstraction and figuration in order to, as he puts it, ‘rejuvenate the relationship of my history to my ancestors’ history with water.’ As a Black American originally from Milwaukee, Turner’s work is steeped in this violent history and yet he chooses to celebrate his ancestors ‘for surviving the challenges they faced’ rather than reenacting their suffering.

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