A Mysterious Painting by René Magritte Leads Christie's London's Art of the Surreal Sale
André Breton’s ‘Surrealist Manifesto’ gets a centennial celebration highlighted by Christie’s annual Art of the Surreal Evening Sale in London on March 7. This year's auction, which will follow the 20th/ 21st Century: London Evening Sale, will be led by René Magritte’s mysterious 1958 painting, “L’ami intime (The Intimate Friend),” which hasn’t been shown since 1998. Bought in 1980 by Gilbert and Lena Kaplan, the painting has been valued between $37.8 million and $63 million, as reported by Hyperallergic. Having left New York on February 14, the work will be on view at Christie’s Hong Kong February 21-23. The pre-sale exhibition gallery at Christie’s Rockefeller Center’s will be replaced by the preceding 20th/21st Century evening sale show, where Francis Bacon’s 1963 painting Landscape near Malabata, Tangier, is estimated to bring in between $18.8 million and $25 million after 40 years in Roald Dahl's private collection.
Hammer Museum Announces Curators for 2025 Biennial
Essence Harden and Paulina Poboch have been selected to co-curate Made in LA, the Hammer’s highly anticipated biennial show, scheduled to open in the fall of 2025. Poboch is a new addition to the Hammer family, having joined in September as one of two new Robert Soros Senior Curators. Fairly new to Los Angeles, she has spent the last 16 years of her career at the Museum of Modern Art. Harden, whose doctoral research focused on LA-based avant-garde artist collective Studio Z, has been in the city for almost a decade. “I feel like we’ve found perfect partners in each other because Essence does know the landscape in a way that I do not," Poboch told artnews about Harden. But, our methodologies and our academic training puts us in sync with one another.” The latter, who is also curating the Focus section of Frieze LA, has stated that “LA is a type of grammar,” and is considering, “the signs and symbols that create the structure by which we come to understand the visual practices that happen here.”