Based in Amsterdam, the artist collective Studio Drift defies labels while pushing the boundaries of technology to realize their meditative ideas based on natural forms.
Museum
Senior paintings conservator Pam Skiles and DAM director Christoph Heinrich discuss the role of varnish on paintings and why Monet and other Impressionists preferred matte finishes over varnish. See…
Call and Response, Betye Saar’s current exhibition at the Los Angeles County Museum of Art (LACMA), is a small but poignant portrait of the world Saar created over the course of her half century…
Exploring the history of St Michael Defeating the Devil by the Master of Belmonte from 1450-1500.
The aim of CIBO is to remind us that food is the unique and yet universal component that connects human beings across the globe.
Alexander Noelle, Anne L. Poulet Curatorial Fellow, provides an introduction to the exhibition 'Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence' on view at The Frick Collection…
Eve Arnold was a woman in a profession dominated by men. She strongly opposed the label of “woman photographer” because she simply wanted to be recognized as a photographer who happened to be a woman.
To ready Paula Modersohn-Becker's "Self Portrait" (1907) for MoMA's reopening in October, conservator Diana Hartman tackles the question of how to repair holes in the painting’s canvas.
