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Although she is widely seen as one of art history’s most important sculptors, many of Katarzyna Kobro’s (1898-1951) works are no longer extant. This is especially true of her earliest artworks. The loss is a real tragedy as she and her work have been called innovative, brave, and influential. Fortunately, other kinds of records do still exist for many of these artworks.
When we think of Leonardo da Vinci’s most notable works, it would be easy to assume the women behind the Mona Lisa or Lady with an Ermine were his muses. One may therefore be surprised to discover that his pupils, Gian Giacomo Caprotti and Francesco Melzi, have the honor of this distinguishment. 
Perhaps the most famous nineteenth-century Indigenous Łamana or Two-Spirit historical figure, the late We:wa was a Zuni artisan, diplomat, spiritual leader, and humanitarian. As such, they made great contributions to the protection and proliferation of Zuni culture.
Resin art has experienced a burst in popularity within the last few years, but what exactly is this miracle material, and is there a catch? Resin by itself is a viscous, flammable substance that can be either organic or synthetic. Most artists prefer epoxy resin, a synthetic type patented in the early 1930s.
B.J.O. Nordfeldt: American Internationalist, on view at the Weisman Art Museum, features work from WAM and fifteen museum and private collections, including the Metropolitan Museum of Art, The Hirshhorn Museum, and the University of New Mexico Art Museum. The exhibition also highlights an artist whose family played a small but important role in shaping the institution that WAM is today.
There's no doubt that the statues by Baroque sculptor Gian Lorenzo Bernini were markedly sensual, which might seem paradoxical in the era of the Counter-Reformation and for an artist whose main patrons were part of the ecclesiastical aristocracy.
While much of modern lace is loomed by machine, until the mid-nineteenth century, the art of lacemaking was a painstaking and time-consuming craft produced predominantly by women. Despite being a product of a domestic pastime, lace ruled both fashion and international markets for centuries. Flourishing trade and boosting economies, lace was highly sought after by monarchs, clergy, and the working class. Through the study of its inception, tools, and techniques, this article presents a brief history of lace and its unknown makers.
The Chavín are perhaps best known for their peculiar artistic style and iconography—one that depicts amalgamations of humans, plants, and animals in tortuous and stylized forms that act as both a puzzle for the viewer and a detailed map of the cosmological and spiritual ideologies of the Chavín. 
Gentileschi’s Judith stands out because it shows the act of a woman forcefully decapitating a man. One could argue that any depiction of this tale is inherently violent. And yet, many believe Gentileschi’s deliberate inclusion of female brutality sends a feminist message that is absent from other iterations.
Monet was a master painter whose works are synonymous with the Impressionist movement he helped found. An avid experimenter, he was known for painting the same subjects over and over, drawing inspiration from the unique qualities of color and light he observed each time he sat down to paint.
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