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The Bee in the Lion is pleased to present In Tension, an exhibition of new works by Dana Nechmad on view at the gallery space from April 29 through June 28.
From May 1-5, Moniker Art Fair will shine a spotlight on emerging and established artists embodying the subversive and innovative spirit of the increasingly diverse contemporary art movement. Though celebrating its 10th year, Moniker will stage it's fair during New York's important May art week for the first time. This year, the fair will bring together some of the most talked about artists, galleries, and collectors from the finer side of the street art movement and its related subcultures in an immersive experiential setting.
It’s an enormous monochromatic oil on linen composition featuring a jumble of figures, some consuming media, newspapers, TV screens, all crushed to near abstraction, suggesting a cacophony of sound. Painted by George Condo in 2018, its title, What’s the Point?, also happens to be the title of his new show at Sprüth Magers in Los Angeles through June 1.
The Museum of Modern Art’s exhibition Donald Judd, on view in The Steven and Alexandra Cohen Center for Special Exhibitions in The David and Peggy Rockefeller Building from March 1 through July 11, 2020, will be the first major US retrospective dedicated to Donald Judd (1928–1994) in over three decades.
The rising curves of the Adirondack Mountains become a repeated motif in the early 20th century landscape paintings of Harold Weston (1894-1974), now featured in a career spanning solo exhibition at Vermont’s Shelburne Museum.
Significant recent acquisitions by the Cleveland Museum of Art include 17 drawings from the Golden Age of Dutch art; a fine painting by Louis Hayet, a key proponent of neo-impressionism; a contemporary sculpture by American artist Jenny Holzer from her iconic series Laments; and 13 photographs by modern American masters from generous donors Diann G. and Thomas A. Mann.
Ukrainian police got lucky while searching the Kiev home of a murder suspect this week. While looking for clues connecting a man to a slain jeweler, they uncovered a valuable painting that was stolen from a French museum last May. Paul Signac’s Port de la Rochelle (1915) was cut out of its frame by thieves at the Museum of Fine Arts in Nancy, in northeastern France.
A pair of paintings by the patriarch of arguably the greatest family of American artists could produce seven-figure results in Heritage Auctions’ American Art auction May 3 in Dallas, Texas.
The history of the cutting of the Cullinan diamond, the largest gem-quality stone ever found, is captured in documents being offered at Bonhams London on April 30, 2019.
The Female Gaze: Women Surrealists in the Americas and Europe reframes the history of the movement by focusing exclusively on the pivotal role played by female artists as independent from their male counterparts. An opening reception will be held on Wednesday, May 8, from 6 to 8 p.m.
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