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At an exhibition opening this week, the Broad Museum of Art celebrates some of its latest acquisitions. Having only opened in 2015, the Broad has a collection of more than 2,000 contemporary works, including some of the most prominent artists working today. A Journey That Wasn't groups together 50 works representing 20 artists in the permanent collection, several of which are being displayed in the museum for the first time.
This weekend, the Walker Art Center will commission French conceptual artist Daniel Buren to design and produce "Voile/Toile – Toile/Voile" specifically for Minneapolis, a city known for its urban lakes, waterfalls and rivers. Its first US premiere, this two-part work will be comprised of a public performance in the form of a sailboat regatta on Lake Calhoun/Bde Maka Ska, featuring the artist’s custom-made, signature-striped sails, and an outdoor installation of the sails, hanging in the Cowles Pavilion in the Minneapolis Sculpture Garden.
An exhibition that defies patriarchal modes of looking, Multiply, Identify, Her is currently on view at the International Center of Photography. Curated by Marina Chao, who was inspired by late photographer and Chicana feminist Laura Aguilar, the exhibition assembles portrait, photo collage, and video among other digital media.
DALLAS, Texas — A new record for artwork by Disney Legend Inductee Mary Blair was set when Mary Blair Cinderella Magic Coach Concept Painting (Walt Disney, 1950) sold for $60,000, lifting the final total for Heritage Auctions' Animation Art Auction June 16-17 in Dallas to $1,456,032.40. The painting quadrupled its pre-auction estimate, and Blair's works were in extremely high demand at the auction; the Cinderella Magic Coach concept painting was the top lot in the auction and had 20 bidders, and her artwork claimed the top spot, four of the top five and six of the top 10. 
From June 22 through September 9, 2018, the Art Institute of Chicago presents an exhibition on renowned design company Georg Jensen and its contributions to changing ideals for modern living across the 20th century. Known for its singular approach to materials and craftsmanship, Georg Jensen silver tableware and objects for the home kept pace with the era’s shifting culture and lifestyles, balancing design and function in its diverse product lines.
Considered a prime example of Monet’s skill and power, La Gare Saint-Lazare, vue extérieure sold for an impressive $32 million. Completed over a three month period of intense creativity in 1877, La Gare is one of a series of 12 paintings depicting the oldest railway station in France. Monet’s bold brush strokes capture the bustling energy of the Parisian train station and the vibrant power of the steam engine forging towards the platform. Of the 12 Gare paintings, 9 are in public institutions and 3 are in private hands.
Opening at Friedman Benda this week, the London-based artist Jonathan Trayte invites you into an alternate universe of bizarre but friendly furnishings. In his first US solo exhibition, Fruiting Habits, Trayte creates a world of his own, filled with idiosyncratic functional objects with multiple uses. With a background in fine arts as well as in food service and as a foundry worker, Trayte brings a sense of humor and a playful interest in texture to this collection. Objects range from tables and chairs to beds, lamps, and poofs, each with their own unique personality and charm.
The Guggenheim Museum hosts the premiere performance of "Primitive Games," a new work by artist Shaun Leonardo, on June 21, 2018. Commissioned as part of the Guggenheim Social Practice initiative, Primitive Games is followed on June 22 by a symposium investigating how artists and organizations can come together to forge unexpected and revelatory experiences for the public.
Trevor Paglen is an award-winning artist whose work blurs the lines between art, science and investigative journalism to construct unfamiliar and at times unsettling ways to see and interpret the world. Trevor Paglen: Sites Unseen is the first exhibition to present Paglen’s early photographic series alongside his recent sculptural objects and new work with artificial intelligence.
Now at the Seattle Art Museum, Double Exposure juxtaposes the work of iconic early American photographer Edward S. Curtis with contemporary Indigenous artists Marianne Nicolson, Tracy Rector and Will Wilson. Double Exposure contrasts Curtis’s haunting photos of a world he believed would soon be lost with current artistic expressions of Indigenous culture that’s very much alive.
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