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In 1881, nearly a century after the United States defeated Great Britain in 1783, Massachusetts businessman Chester Chapin commissioned a statue to commemorate America’s centennial.
Really Free is the first major presentation of her work in more than twenty years and the first to consider her practice as a radical act of self-expression and liberation in the post-civil rights-era South.
Now, at eighty-six, she is getting her due, with a heralded retrospective at the Brooklyn Museum called Both/And, which follows the comprehensive anthology of her writing, Writing in Space, 1973–2019, published by Duke University Press in 2019.
Manufactured colors seem to have a knack for generating online buzz as well as confusion. Created in 2014, Vantablack has been the subject of headlines for a while and even acted as an integral piece of a 2019 BMW campaign.
Featuring a dynamic combination of graffiti drawings, paintings, sculptures, collectible objects, furniture, and augmented reality projects, KAWS: WHAT PARTY presents a twenty-five-year survey of the popular artist’s most momentous artworks.
The National Gallery of Art, Washington, announced that the West Building will reopen to the public on Friday, May 14. Free, timed passes will be required. Passes will be released each Monday at 10:00 a.m. for the following week.
While nobody is surprised to hear that New York City is jam-packed with fascinating art museums, one might be excited to discover this fresh list of underrated art museums in the city. 
In his debut, solo exhibition, Garage Sale: Ain’t Sh!t Gucci, Harlem-based Conceptual Artist, Sean “Belchez” Cort offers his perspective on the positioning of black and brown bodies as commodities, through the lens of an American garage sale.
The course of this global pandemic has left many feeling shattered and searching for distraction. Derived from two small Japanese words meaning golden and joining, kintsugi is fundamentally about ‘beautifully mending a broken thing.’
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